Shoot on film
A film camera for iPhone. The grade is applied live in the viewfinder and baked into the file at the moment of capture — no editing afterward, no sliders to undo, nothing uploaded anywhere.
The whole idea
Each of the eight stocks is a recipe of some twenty parameters — white balance, tone, channel mix, split tone, grain, halation, vignette — evaluated on every frame the sensor hands over, before it is ever written to disk.
Eight looks, hand-built one at a time. Original recipes — no borrowed film-stock branding, no presets bought in bulk.
Clean · True to life
The straight frame. Honest colour, a whisper of grain, almost no vignette — shoot this when you want no look at all.
Fine grain · Warm · Soft
Warm highlights, lifted blacks and a soft roll-off. Skin looks kind; afternoon light looks like memory.
Cool green · Punchy · Crisp
Cooled white balance, hard contrast and a green cast in the shadows. Streets, concrete, weather.
Night stock · Teal · Halation
A teal night stock with heavy red halation — every bright light bleeds a warm ring, the way tungsten does on real film.
Rich grain · Black & white
Monochrome with real weight: deep blacks, bright separation and coarse grain that survives the shadows.
Soft grain · Matte · Muted
Low contrast, milky blacks, desaturated colour. A print that has been in a drawer since the nineties.
Ultra fine · Saturated · Bold
Crushed blacks, near-invisible grain and colour turned all the way up. Blue hour, painted walls, flags.
Chemical · Cross-process
Wrong chemistry on purpose: teal shadows, acid-yellow highlights, channels pulled apart. Unrepeatable by accident.
Load 24 or 36 frames and the counter ticks down as you shoot. When the roll is full you develop it — the ritual that makes you slow down and actually look. Not for you? Switch to unlimited frames and the counter steps aside.
27/ 36 EXP
Video gets the same recipe as stills — same curve, same grain, same halation — written into the recording as it happens.
Grain and contrast ride on top of the chosen look and update in the viewfinder as you move them. Two controls, because a camera should not have twenty.
Captures land in an in-app film strip you can scroll through. The keepers get saved out to your own Photos library, on your say-so.
Every frame is captured, graded and stored on your device. There is no account to make, no server to talk to, and no code in the app that would know how to send your photographs anywhere.